"The Germans wore grey...I wore blue."
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Our coverage of Cannes Film Festival 2016, including the controversial press conference with George Clooney is available here.
Review by Matt Zoller Seitz
There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive characters and landscapes and "action scenes."
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Review by Angelica Jade Bastien
X-Men: Apocalypse is a confused, bloated, mess of a film.
Review by Christy Lemire
Takes the giddy, heady days of early motherhood—the frustration and isolation, the exhaustion and confusion—and mines them for creepy, paranoid thrills.
Review by Peter Sobczynski
The Dresser may not live up to the reputation of the earlier film, it is still a reasonably entertaining work that offers the pleasure of seeing two great actors work together for the first time.
Review by Glenn Kenny
Male vanity, a trait so widespread that it's rarely if ever acknowledged, gets a funny albeit ultimately not terribly consequential skewering in this dry comedy from Greece.
Director Hany Abu-Assad's choices make you wonder why the director didn't just go ahead and make a documentary instead.
An entertaining narrative documentary, with an immediately engaging, sympathetic, and inspiring subject.
Review by Nick Allen
An emotionally gripping and inclusive doc about the life of DJ AM and a battle against addiction.
Review by Godfrey Cheshire
While Walter Salles' portrait gives a very incomplete account of the man and his art, it pays tribute to a filmmaker who remains among the medium's most fascinating creators.
As its title suggests, Unlocking the Cage is a kind of advocacy journalism, not an attempt to weigh the cons as well as the pros of whether non-humans should have human-like rights.
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