Tuesday, May 27, 2014

"The 32 Greatest Unscripted Movie Scenes," and more recommendations just for you

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From: "StumbleUpon" <no-reply@stumblemail.com>
Date: May 27, 2014 5:34 PM
Subject: "The 32 Greatest Unscripted Movie Scenes," and more recommendations just for you
To: <trrytrvrs@gmail.com>

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Hi tqnews2,

We've gathered a personalized selection of web pages we think you'll like. Enjoy!

  Your Recommendations  
screenrant.com: The 32 Greatest Unscripted Movie Scenes
freerepublic.com: U.S. FOOD INFLATION RUNNING AT 22%
hakim.se: Keylight - an audio rhythm experiment.
metalinjection.net: Here Is Michael Winslow Absolutely CRUSHING A LED ZEPPELIN Song
Classic Rock


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Sunday, May 18, 2014

Fwd: Dave's 2,500 Movies Challenge

Dave's 2,500 Movies Challenge

#1,371. How Hitler Lost the War (1989)

Posted: 18 May 2014 09:40 AM PDT

Directed By: Robert Denny, David Hoffman

Starring: Norman Rose, Adolf Galland, Hans Adolf Jakobson

Tag line: "Told from veterans on both sides of the War"

Trivia: This documentary was narrated by Norman Rose

For years, I've heard that Adolf Hitler and Nazi Germany came close to winning World War II, yet I had no idea how close until watching this documentary. Several times throughout the course of the war, the Germans were poised on the threshold of victory, only to have it snatched away by the one man who assured them they would prevail.

Narrated by Norman Rose, 1989's How Hitler Lost the War features plenty of archival footage, some of which is quite disturbing (along with the image of dozens of murdered Ukrainian peasants, hanged for their resistance to the German occupation, there's a brief clip showing the Allied invasion of Normandy in which a soldier running across the beach is gunned down). Yet it's the interviews with former German soldiers that offer the greatest insight. One of the men interviewed, Johannes Steinhoff, was a member of the Luftwaffe and among the most decorated German fighter pilots of the war. With his face badly deformed (in 1945, a plane he was piloting crashed on take-off, resulting in burns so severe they landed him in the hospital for 2 years), he tells of how well respected Hitler was at the beginning, and, ultimately, how he failed as a leader (Steinhoff played a role in what became known as the Fighters Pilot Conspiracy, when several high-ranking Luftwaffe officials, believing Hitler's decisions were costing them the war, staged a protest against the Nazi High Command).

Aside from its analysis of strategies and key battles, How Hitler Lost the War also delves into the early life of Hitler himself, how he was a poor student, and, according to those that knew him, a lazy young man who often slept 'til noon (a trait that stayed with him throughout his life; during the D-Day invasion, Germany was slow in moving its troops closer to the action because Hitler was asleep and left strict instructions that he was not to be disturbed). It wasn't until after World War I, when he joined the little-known Socialist movement, that Hitler found his true talent: public speaking. Delivering speeches all over the country, he railed support for what was to become the Nazi party, and eventually rose to the position of Chancellor of Germany, and then, shortly after, Dictator.

Despite his meteoric rise, Hitler proved himself a poor military strategist, and How Hitler Lost the War shows us just how bad he was at it. Many are aware of his most critical mistake: fighting on two separate fronts; one in the West (against the allies), the other in the East (after he broke his treaty with Russia and invaded that country). Yet even here, the film tells us Hitler might have conquered Russia had he not purged the Ukraine (its citizenry despised Stalin, and initially greeted their German invaders with open arms. If Hitler had taken a different approach there, the Ukrainians may have joined with him in fighting the Communists). But while his actions were often ill-advised, it was Hitler's inaction that ultimately lost World War II for Germany, chief among them his decision to shelve a major technological advancement in aerial combat, one that could have easily changed the course of the entire war.

Admittedly, I'm not well-versed in the history of World War II, so the information presented in How Hitler Lost the War was an eye-opener for me. But I'm convinced even those who've studied the conflict will find something to their liking in this well-produced, informative documentary.

#1,370. Chandu the Magician (1932)

Posted: 17 May 2014 07:58 PM PDT

Directed By: William Cameron Menzies, Marcel Varnel

Starring: Edmund Lowe, Irene Ware, Bela Lugosi

Trivia: Nigel De Brulier's yogi was the model for the sorcerer in Disney's "The Sorcerer's Apprentice" sequence from Fantasia

For the second time in a couple weeks, I got a chance to watch a Bela Lugosi movie I've never seen before. But unlike You'll Find Out, 1932's Chandu the Magician, a film based on a popular radio serial, was produced when Lugosi's popularity was at its zenith (aside from his iconic performance in Dracula a year earlier, Chandu the Magician was released within months of Island of Lost Souls and Murders in the Rue Morgue). This time out, the actor portrays Roxor, an arch villain determined to conquer the world.

Having completed his mystical training, Frank Chandler (Edmund Lowe) is made a Yogi by his Hindu masters and given the honorary name "Chandu". His first assignment as a Yogi takes him to Egypt, where he must help his brother-in-law, Professor Robert Regent (Henry B Walthall), who, shortly after completing work on his powerful death ray, was kidnapped by the sinister Roxor (Lugosi), a madman intent on using the ray to destroy some of the world's biggest cities (including London and New York). Along with trying to save mankind, Chandu attempts to rekindle his romance with Nadji (Irene Ware), a beautiful Egyptian Princess with whom he's madly in love.

Despite a valiant effort by Lowe, not to mention a very cool opening scene (in which he puts his powers to the test), Chandu is, regrettably, the least interesting character in his own movie, spending half his time staring at his enemies (his power is in his eyes) and the other wooing Princess Nadji. Faring much better is the work of co-director William Cameron Menzies, whose excellent sets (most looking like they were lifted straight out of ancient Egypt) are matched only by the movie's special effects, which Menzies undoubtedly helped design (one of the films best scenes has Chandu turning the tables on three of Roxor's cronies by transforming their rifles into poisonous snakes). What's more, the cinematographer on the film was none other than James Wong Howe, who was nominated for 9 Oscars over the course of his career, winning twice (for The Rose Tattoo in 1955 and 1964's Hud).

Then, of course, there's Bela, so deliciously menacing as Roxor. Decked out in black, his Roxor is evil personified, a man whose sole ambition is to reduce the civilized world to rubble, then set himself up as a God to rule over what remains. From start to finish, Lugosi does a masterful job, giving the film a villain that, despite being three times more interesting than its hero, is a man we want to see destroyed.

Lugosi's flamboyant portrayal, coupled with Menzies' eye for detail and Howe's fluid camera movements, make Chandu the Magician a very entertaining watch.

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Wednesday, May 14, 2014

Fwd: Bring Brave New Films to the Classroom!

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Brave New Films
Dear Friend --

We need your help to bring Brave New Films into the classroom! 


Over the years we have been so pleased to have many teachers use our films for discussion and debates in their classrooms. As the requests have mounted, we have decided, with your help, to create Brave New Educators.

The goal is to make films and resources available for screenings or for use in the classrooms at absolutely no cost! The process is quick and easy for professors as well as student groups. We offer films and facilitation guides for Unmanned: America's Drone WarsWar on Whistleblowers, and Wal-Mart: The High Cost of Low Price.

We are so excited for this project to begin, but we need your help to get these resources into classrooms! Take a look and see how our resources can benefit the classroom. 

If you know an educator, a student group, or a campus center that could benefit from this project, we would really like to collaborate with them! Please introduce us by forwarding this e-mail and CC'ing educators@bravenewfilms.org. Sharing this e-mail could help us educate students on the many issues we believe in.

If you have questions, please contact educators@bravenewfilms.org.

Thanks kindly,

Laurie Jones, Education Outreach Coordinator
& Robert Greenwald, President
Brave New Films

Brave New Films · 10510 Culver Blvd, Culver City, CA 90232, United States
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